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The Postman Always Rings Twice, by James M. Cain
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An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one grisly solution--a solution that only creates other problems that no one can ever solve.
First published in 1934 and banned in Boston for its explosive mixture of violence and eroticism, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside, and was acknowledged by Albert Camus as the model for The Stranger.
- Sales Rank: #44436 in Books
- Brand: Vintage
- Published on: 1989-05-14
- Released on: 1989-05-14
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .39" w x 5.19" l,
- Binding: Paperback
- 116 pages
- Vintage
Amazon.com Review
Penzler Pick, April 2000: It is sometimes easy to trace a literary genre to its source, and James M. Cain's first novel, The Postman Always Rings Twice, is the noir novel that paved the way for all the noir fiction that followed. The famous film starring Lana Turner and John Garfield is notoriously dark, but the novel is even more full of despair and devoid of hope. It is a short book--little more than a novella--but its searing characterization and depiction of tawdry greed and lust is branded into every reader's memory.
Frank Chambers, a drifter, is dropped from the back of a truck at a rundown rural diner. When he spots Cora, the owner's wife, he instantly decides to stay. The sexy young woman, married to Nick, a violent and thuggish boor, is equally attracted to the younger man and sees him as her way out of her hopeless, boring life. They begin a clandestine affair and plot to kill Nick, beginning their own journey toward destruction.
Horace McCoy, David Goodis, Jim Thompson, and the other notable noir writers never achieved Cain's spare brilliance. Virtually all of his major works have been filmed, though several Hollywood studios refused to make the films, directors refused to be involved, and actors turned down roles because of their repugnance at the lack of morality inherent in all Cain's characters. Reading him may not be fit for a Sunday school class, but once you begin you will be unable to resist continuing, like picking at a painful scab or watching a tarantula inside a glass dome. --Otto Penzler
Review
"A good, swift, violent story." --Dashiell Hammett
"A poet of the tabloid murder." --Edmund Wilson
From the Inside Flap
An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one grisly solution--a solution that only creates other problems that no one can ever solve.
First published in 1934 and banned in Boston for its explosive mixture of violence and eroticism, The Postman Always Rings Twice is a classic of the "roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside, and was acknowledged by Albert Camus as the model for "The Stranger.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A Fine Example Vintage Hard Boiled "Noir" Style
By FCD117
This is an enjoyable, relatively short, novel. As is the case with most short novels, probably by necessity in a short novel, character development is kept to a minimum. The novel is also a time piece. The traffic and roads in the area around Los Angeles described here are very different from today. I have found this novel on at least one list of the supposed "100 greatest novels". That, of course, is completely a matter of taste. However to me, I am quite certain I have read 100 novels better than this.
By coincidence, I had just finished a Mickey Spillane novel, and I find the writing by James M. Cain to be of a much more developed and sophisticated nature. I think if one studies the biographies of these two authors, one can correlate the comparative writing styles to their backgrounds.
Another interesting comparison (At least to me!) can be made between a short novel like this and a longer novel such as The Adventures of Augie March by Saul Bellow. In both novels, there is a side story wherein the protagonist embarks on a somewhat bizarre misadventure to Mexico with an unusual female. If one wishes, one may note the differences in length, detail and style of these two interludes.
There is some allusions to what I might refer to as "rough sex" that surprised me. I cannot recall seeing that in American popular novels composed prior to this work. I do not know if this novel is considered "ground breaking" on that front or not. It did catch me by surprise.
As with the case of many American novels of this time period, there is quite a bit of negative ethnic references. There are negative allusions to people of Greek heritage and some negative terminology about Italian Americans. As I stated above this is common in American novels of this period. I only mention it in case it matters to a potential reader unfamiliar with this work or this literary period.
2 of 2 people found the following review helpful.
NO SPOILERS IN THIS REVIEW. Nice, quick read, but so-so character engagement.
By Deborah from Los Angeles
I give this just three stars because even though, yes, I expected it to be "pulpy", it's so pulpy it's a tad shallow. No real character development and very much just "this is what happened to these people". Now, what happens is interesting and kept my attention, but I didn't at all care WHO it was happening to because Cain never dives deeply enough into who the characters are to make you care about them specifically (versus just the situation, more generally). In other words, you're involved in the characters' stories not for the characters and who they are, but for what they encounter. Also, for a fairly slim novel, it took me kind of a while (about a week) to read it. Whenever I put it down, I wasn't dying to pick it back up.
The book I have doesn't look like the one pictured, with the man and woman hugging on the cover. Mine shows a picture of the TITLE SCREEN from the 1946 movie. It's very cool. The design of the book, quality of the texture of the cover, and the inside formatting are fantastic. I really like that I own this book and have it on my shelf. If you enjoy classic films and hope to read and collect books published in the first half of the 20th century that were later made into classic films, you'll like owning this book.
Finally, NO SPOILERS, but the Lana Turner/John Garfield movie (1946) was actually better than the book, but I won't say how or why because I don't want to spoil anything.
2 of 2 people found the following review helpful.
YOU MADE THE BED, YOU CAN LIE IN IT!
By Greggorio!
This book is a riveting classic of duplicity, love found, lost, and then found again, even eighty years after its first publication date. It has moments of gut wrenching suspense interspersed with examples of heartless cruelty, and innocent, young, sweet love. The writing is taut, sufficiently descriptive and perhaps most surprisingly, the story is still relevant today.
The best laid plans of mice and men can be lain flat by the simplest of things and early in the book, a cat of all things spoils the party for our two duplicitous love birds.
i find it hard to believe that two people who can be so cruel and heartless can ever amount to anything and if fate or karma has a say in the way things turn out for any of us in this world, then young Cora and the tramp Frank Chambers don't gave much to look forward to. And they won't get any sympathy from me.
This book is a classic of the genre. Those with any interest in crime, suspense, noir, or even the odd love story should get something from reading this delightful work of literature. Full marks for this one.
BFN Greggorio!
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