PDF Ebook Chordalogy: Tonal II-V-I Progressions for the Jazz Guitarist, by Jeff Brent, Joe Bianco, Gerhard Ersdal
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Chordalogy: Tonal II-V-I Progressions for the Jazz Guitarist, by Jeff Brent, Joe Bianco, Gerhard Ersdal
PDF Ebook Chordalogy: Tonal II-V-I Progressions for the Jazz Guitarist, by Jeff Brent, Joe Bianco, Gerhard Ersdal
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As a thesaurus of chordal options available to the comping jazz guitarist, this book is an in-depth study of optimum voice leading motions using drop-2 and drop-3 voicings for the variations on the ubiquitous major and minor II-V-I progressions - yielding fluid and cohesive accompaniments.
- Sales Rank: #943786 in Books
- Published on: 2012-12-28
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .64" w x 8.50" l, 1.45 pounds
- Binding: Paperback
- 280 pages
Most helpful customer reviews
3 of 3 people found the following review helpful.
Chordalogy
By jon reque
wow! i like jeff brents approach to guitar education. this is not just a simple chord dictionary although it could be utilized as one.. as he states in the begining the voicings must be heard to be best appreciated. i am amazed at how easily the various forms flow into one another with a fluid economy. i feel its one of the books i will some time studying and working on...you just can't play a-minor pentatonics all your life.
2 of 2 people found the following review helpful.
I steadily became more comfortable and easily aware of what was going on in ...
By Gasper Bonura
I've been thinking about this for a while. I've had this book for about a year. I worked on the first section of major rooted chord progressions. I went through them for the fingerings up and down the fretboard. Then I put the book away and picked it up again a few months ago with a different approach. All of the chords, rooted or rootless have the note functions of each chord (6th, 7th, 3rd, etc.) This time as I'm going through the book, and I'm about halfway through it with this approach, I've been spending more time on each progression with the goal of looking at and studying each of those note functions in the chords. Then a light went on. Studying each progression this way in as many keys as feasible, I steadily became more comfortable and easily aware of what was going on in the chords. (Ah! The 6th of an Eb chord is C, for example). But now here comes the interesting and fun part; when I close the book after a practice session, I'll pick up the guitar just to noodle around and see where my brain and fingers would like to go. It's at that point that the entire fingerboard comes alive with 3rds, 6ths, 9ths, 13ths. As the authors state, the information gets into your subconscious and then without thinking about it, you are able to use the information in creating music. It's really a fascinating thing, and I want to thank these guys for writing such a well thought out useful tool.
1 of 2 people found the following review helpful.
AWESOME BOOK!!
By Martin deCampo
The best book published for learning the guitar bar-none!
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