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In this bestseller for women who run with wolves, Jungian analyst, philosopher, and critically acclaimed author Linda Leonard explores the archetypal feminine energy that she calls the Madwoman. An invaluable key to self-understanding, the insightful myths and codified patterns show women how to live more positive lives.
- Sales Rank: #440075 in Books
- Color: Black
- Brand: Brand: Bantam
- Published on: 1994-03-01
- Released on: 1994-03-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.14 pounds
- Binding: Paperback
- 340 pages
- ISBN13: 9780553373189
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
This richly evocative study by a Jungian analyst posits the existence of a madwoman archetype. The image appears frequently in women's dreams, according to Leonard ( The Wounded Women: Healing the Father and Daughter Relationship ). And she makes a good case that the madwoman is a messenger, metaphor and model who points the way to women's liberation. The author encourages women to acknowledge their own madwoman in order to transform themselves. She intriguingly redefines many female stereotypes--The Dark Muse, The Recluse, The Bag Lady, The Visionary, The Caged Bird--in relation to her archetype. What is especially interesting here are the examples from famous women, literature, films and Leonard's own patients. The most remarkable include Camille Claudel, Alma Mahler, Maria Callas, Rosa Luxemburg and Rachel Carson--as well as the imaginary Medea, Mrs. Bridges, Blue Angel and Thelma and Louise. Leonard also shows how some of the real women she writes about were influenced by the fictional or mythical women. In this work, she provides a new perspective on how women can break out of culturally imposed roles.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
Feminine madness entraps women in traditional, patriarchal roles, keeping creativity captive to repressed anger and fear. Jungian analyst Leonard ( On the Way to the Wedding , LJ 6/15/86; Witness to the Fire , Shambhala, 1989) employs her talent as storyteller to treat us to yet another book on psychological archetypes. Mad energy is wasted on archetypes such as the saint, the ice queen, the dragon lady, the sick mother, the caged bird, the muse, the rejected lover, the bag lady, the recluse, and the revolutionary. She explains the archetypes of contemporary women as well as those of representative women in history (Camille Claudel as the muse); in films and novels ( Thelma and Louise as revolutionaries, Mr. and Mrs. Bridge as caged bird); and in mythology and fairy tales. Leonard uses more examples than theorizing to make complex Jungian concepts understandable, accounting for her readability and popularity. Her latest book will certainly prove to be as successful as the others.
- Paula N. Arnold, Norwich Univ. Lib., Northfield, Vt.
Copyright 1993 Reed Business Information, Inc.
Most helpful customer reviews
13 of 13 people found the following review helpful.
Walking with Madness....
By Sheri Heller
The highest compliment I can pay Dr. Leonard is that this brilliant book catalyzed transformation in my life, and those whom I shared her premise with. I was spurred on, upon reading this book to create a dynamic workshop, which has led to a philanthropic theater project to be brought to girls coming of age in residential group care.
The basic message Leonard imparts is that in the journey of spiritual and Self-realization the stage of `madness' precedes surrender and acceptance. Spiritual madness/ Breakdown is a potential path to truth, as it is a descent into darkness where all illusions are stripped away and an old consciousness and old belief system can be released. Essentially this state of madness involves a prolonged descent into the unknown. Intense suffering, disillusionment, and loneliness generally characterize this experience. During this intense prolonged crisis, one may feel abandoned, terrified and out of control. Initially the challenge is to turn within, and away from seeking direction from others, yet concomitantly remaining attuned to synchronicity and the principle of faith. Ultimately we are challenged to find communion from a new place of integration and perspective, in which paradox is embraced.
The plight of the the woman struggling to actualize parts of the self that have been rejected, involves a descent into madness. Leonard emphasizes that it is essential to differentiate between the divine madness that involves an inner descent/journey that can lead to integration, from that which can be referred to as destructive craziness. The inner Madwoman erupts, in an effort to confront inner and outer oppression, and subjugation. When the oppressive forces of order and control are challenged, the Madwoman emerges as an impulse towards freedom. The repression of life-giving creative energy can result in a destructive madness, when the victimization is prolonged. The courage and determination to live in one's truth, requires the strength of a Madwoman. The creative aspect of madness, can potentially manifest as extreme creative outbursts, activism, visions, etc. However, when one's suffering is denied and avoided, the Madwoman can take over in a destructive way. It is then that her energy can be experienced as negative resigned stagnation, which stultifies creative life.
Leonard introduces us to the many `faces' of the Madwoman. She helps us to to identify the madwoman within, by asking us what we are trying to break free from. What is the form of our rebellion? What are the internal and external oppressors in our life subjugating? She encourages us to examine what confines our spirit. How is energy trapped? Is there a symbiotic cord with a mad mother that needs to be cut? Do you need to reclaim you voice and vocalize rage? Are you an outcast, a visionary, an addict, a shrew/hysteric, a bitch, a feral child, a warrior, a whore, and a destroyer of self or others, a victim, a recluse/loner?
We see in mythology the `Madwoman' is often depicted as a creator and destroyer. In fairy tales she is often depicted as a witch, catalyzing in the maiden great power when she faces the darkness within. We all live out our own personal myths and can relate to these archetypes on personal and transpersonal levels. It is by elevating our own stories to archetypal and mythical levels that we infuse the profane with the sacred. In so doing, we open up to transformative possibilities.
What we ultimately discover through this dark journey is the gift is of paradox. The `destroyer' is the `creator'. The mythic and the mundane are interconnected. Polarities join. The Ego meets God and fantasy is removed. For those who endure and integrate the wisdom found within the descent into madness, it is also recognized that the Madwoman within is the Holy Spirit.
5 of 5 people found the following review helpful.
Mad Love.
By Heartland G
I loved this book for a lot of reasons and I could re-read and re-read it. I'm feeling it. Many people - and especially women - are in the torturous position of having real love in their hearts, wanting that perfection, and being in the world where you have to adapt to systems that are the opposite of love. We bury it, we deny it, we try to be oblivious, but it's always there underneath lurking away. For some of us, it bleeds right out onto the surface. Truly sane women must go mad sometimes, because you can't despise systems of cruelty and make it in this world. Nature opposes us, the world often opposes us, as do the powerful, our own nature and whoever created all this. The closer you look at truth the more real pain gets the more "mad" you get. Sometimes only oblivion or cold detachment makes you "happy" and "normal." Crazy people have tapped into reality - which is why they're crazy in the first place.
I like the different archetypes in here - The Recluse, The Visionary, The Bag Lady, The Muse, The Revolutionary, also - Ice Queen, Rejected Lover, Caged Bird, Dragon Lady. I relate to all of those on different levels, especially Recluse, Visionary, Revolutionary.
I think they should've added the Angry Amazon, The Hunchback ( a male madwoman, but I definitely relate) and also the Adapter, strangely enough. I know a lot of women who are "adapters" and they have much inner madness bubbling around in their guts. Their smiles are cracking, their anger and torment just under the surface, they join patriarchal institutions, they tow the line, they talk about "soft" power in their attempt to manipulate the people that rule and/or abuse them, but they're very, very angry, I'm not so sure she's that oblivious either. I relate to her too, she's trying to gentle the world down, by joining it and manipulating it from within. Beauty and the Beast. It doesn't work that well either, she'd be better of a Dragon Lady and Revolutionary which actually does work a little better and you don't have to suck as much d*ck. If you know how to control that power and not make the mistake of using it against the small, you can protect your castle (what you love) with wisely used fierce power. If you don't let Bag Lady or Hunchback get you, that is. Too late for some unfortunately - but someone out there take heed. Men can also be madwomen if they feel that inner torment and have a fierce desire to protect the small and helpless.
Having said that, I hope my inner Goddess rules over my inner madwoman most of the time. I'd rather that than my inner crazy because the same things that inspired madwoman behavior can easily slip into the same behaviors that inspired it - cruelty, tyranny etc.... Being so depressed you can't function doesn't help what you love, being so mad you can't deal with the world doesn't ultimately help your cause. The most positive madwomen are visionary and revolutionary.
9 of 11 people found the following review helpful.
WOMEN
By MARSHA L. SLATER
THE BOOK REALLY GAVE AN INDEPTH LOOK AT WOMEN IN BOTH THE PRESENT AND PAST, AS WELL AS FROM OTHER CULTURES THAN THE UNITED STATES. I PARTICULARLY ENJOYED READING THE PORTION IN THE BOOK ABOUT THE CELTIC WOMEN AND HER RIVALRY WITH HER MORE CIVILIZED SON.
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