Hempholme: September 2010

Jumat, 24 September 2010

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Sales Rank: #331119 in Books
Published on: 2015-03-17
Original language: English
Number of items: 1
Dimensions: 9.00" h x .34" w x 6.00" l, .46 pounds
Binding: Paperback
148 pages

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Kamis, 23 September 2010

[K444.Ebook] Download PDF The Footnote: A Curious History, by Anthony Grafton

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The weapon of pedants, the scourge of undergraduates, the b�te noire of the “new” liberated scholar: the lowly footnote, long the refuge of the minor and the marginal, emerges in this book as a singular resource, with a surprising history that says volumes about the evolution of modern scholarship. In Anthony Grafton’s engrossing account, footnotes to history give way to footnotes as history, recounting in their subtle way the curious story of the progress of knowledge in written form. Grafton treats the development of the footnote―the one form of proof normally supplied by historians in support of their assertions―as writers on science have long treated the development of laboratory equipment, statistical arguments, and reports on experiments: as a complex story, rich in human interest, that sheds light on the status of history as art, as science, and as an institution. The book starts in the Berlin of the brilliant nineteenth-century historian Leopold von Ranke, who is often credited with inventing documented history in its modern form. Casting back to antiquity and forward to the twentieth century, Grafton’s investigation exposes Ranke’s position as a far more ambiguous one and offers us a rich vision of the true origins and gradual triumph of the footnote. Among the protagonists of this story are Athanasius Kircher, who built numerous documents into his spectacularly speculative treatises on ancient Egypt and China; Pierre Bayle, who made the footnote a powerful tool in philosophical and historical polemics; and Edward Gibbon, who transformed it into a high form of literary artistry. Proceeding with the spirit of an intellectual mystery and peppered with intriguing and revealing remarks by those who “made” this history, The Footnote brings what is so often relegated to afterthought and marginalia to its rightful place in the center of the literary life of the mind.

Sales Rank: #389928 in Books
Brand: Brand: Harvard University Press
Published on: 1999-04-01
Released on: 1999-03-05
Original language: English
Number of items: 1
Dimensions: 8.04" h x .69" w x 5.18" l, .62 pounds
Binding: Paperback
256 pages

Features

Used Book in Good Condition

Amazon.com Review
The struggle over what history is and how it should be told affects even such a constant convention as the footnote. As Anthony Grafton tells us in his entertaining study The Footnote, this tool of scholarship is just that: a tool that marks the professional from the amateur. "Like the high whine of the dentist's drill," he says, "the low rumble of the footnote on the historian's page reassures: the tedium it inflicts, like the pain inflicted by the drill, is not random but directed, part of the cost that the benefits of modern science and technology exact." There are some scholars, Grafton avers, who consider the footnote an anachronism meant to distance people from their pasts. Conversely, there are some who wage whole wars against other scholars through the medium of their notes. In any event, Grafton opines, the footnote will prevail, protecting works of scholarship from assault as surely as armor protects a tank.

From Kirkus Reviews
A curious history, indeed. Few accoutrements of scholarship have been as denigrated as the lowly footnote, as this lively and fascinating narrative demonstrates. Scorned equally by scholar, student, and publisher, the footnote has lost its traditional place at the foot of the page and is now relegated to the ``endnotes'' following a chapter or at the end of a book. No‰l Coward once remarked that having to read a footnote resembles having to go downstairs to answer the door while in the midst of making love. This longstanding animosity toward the footnote derives from a tradition that perceived of historical writing as a form of literature. Few scholars lavish the necessary attention on the notes and even fewer readers take notice. Only the insecure graduate student or fledgling scholar piles up note after note and by doing so claims a place in the guild of the profession. But a careful reading of footnotes is both revealing and rewarding, according to Grafton, a historian at Princeton University. The footnote, as he correctly and convincingly points out, is critical to the scientific nature of historical writing and therefore reflects both the ideology and technical practices of the craft. The footnote confers ``proof'' that the historian has visited the appropriate archives, dusted off the necessary documents, and consulted and exhausted the secondary literature. It is, in short, a badge of legitimacy. The reader familiar with Grafton's work will recognize the author's extraordinary range and familiarity with German, French, English, and Italian historical writing from the early modern period to the late 20th century. Grafton has, in fact, written a sly work of historiography, a kind of celebration of the gritty details of scholarly exploration, and not merely a chronicle of the despised footnote. Oh, yes; read his footnotes. (Happily, his publisher realized that endnotes would not do here.) -- Copyright �1997, Kirkus Associates, LP. All rights reserved.

Review
A witty and characteristically erudite book… Grafton's subject, apparently so trivial in itself and yet potentially so enlivening, offers cause for somewhat uneasy mirth. We may recall the toilers of Gulliver's Travels, who sought to make sunbeams from cucumbers. Not surprisingly, the pages of The Footnote are peppered with human folly. (David McKitterick New York Times Book Review)

[It's] hard to imagine a defense of the footnote by any historian with the least sense of style. Yet here it is: The Footnote's author, Anthony Grafton, is an anomaly in the American historical profession: a deeply learned scholar known for exacting work on the transformations of classical learning in early modern Europe and a sprightly writer capable of communicating his enthusiasm to anyone willing to listen. Mr. Grafton not only defends the footnote as a guarantee of the value of the historical currency. He also portrays it as a bulwark against tyranny. (Mark Lilla Wall Street Journal)

[An] excellent book… The Footnote is the study of an appealing, rather overlooked aspect of intellectual and cultural history. Yet it is also much more: an investigation into the historical imagination, a quick tour of 'the culture of erudition' and, not least, the most recent intellectual entertainment from one of the most learned and enjoyable scholars now at work. (Michael Dirda Washington Post)

Mr. Grafton has produced a delightful gem of a book that will appeal to many tastes. He displays an extraordinary level of erudition, is extremely readable, frequently witty and provides a guided tour across almost two thousand years in the development of Western scholarship. Needless to say, his own footnotes are a model of their kind. Above all, the author is neither boring nor pedantic. (Keith Windschuttle Washington Times)

We accept it as a given of scholarly writing that 'the text persuades, the notes prove.' But this form of narrative architecture was created at a particular time by particular men to fill particular needs. And this unlikely and lively book presents the story of its creation. Anthony Grafton tells when, where, and why historians adopted the two-tiered structure of writing. (Barbara Fisher Boston Globe)

The unwashed read the text, the learned check the footnotes. This, after all, is just what Grafton has taught us to expect. Grafton's footnotes, however, are short on polemic and long on accolades… They illustrate Grafton's generous spirit, and they call attention to the one use of footnotes that he conspicuously fails to discuss: praise instead of polemic. Grafton's own irenic practice is a model of decency. But if his footnotes are not so much fun as Gibbon's or Bayle's, his lively and searching text most assuredly is. For a pioneering discussion of these points, see A. Grafton. (G.W. Bowersock New Republic)

A curious history, indeed. Few accoutrements of scholarship have been as denigrated as the lowly footnote, as this lively and fascinating narrative demonstrates… The footnote, as [Grafton] correctly and convincingly points out, is critical to the scientific nature of historical writing and therefore reflects both the ideology and technical practices of the craft. The footnote confers 'proof' that the historian has visited the appropriate archives, dusted off the necessary documents, and consulted and exhausted the secondary literature. It is, in short, a badge of legitimacy. The reader familiar with Grafton's work will recognize the author's extraordinary range and familiarity with German, French, English, and Italian historical writing from the early modern period to the late 20th century. Grafton has, in fact, written a sly work of historiography, a kind of celebration of the gritty details of scholarly exploration, and not merely a chronicle of the despised footnote. (Kirkus Reviews)

A richly faceted story that interweaves the changes in the regard for and uses of the footnote with general developments in history writing… As Grafton traces his steps backward to the Renaissance with its admiration and imitation of ancient models, the world of the footnote emerges as one far more complex than expected… In the face of the seeming solidity of the text, the footnote serves as a reminder of the contingency of life as well as the precariousness of the text's construction. (Ernst A. Breisach American Historical Review)

A charming, intelligent volume that traces the footnote's development as a literary and historical device… The Footnote is an astonishing piece of scholarly writing, not least because it allows us to reconsider a subject that might charitably be called idiosyncratic, or even obscure. What makes the book work is Anthony Grafton's ability to write for a lay audience, to merge the ephemera of historical research with an accessible, nearly anecdotal, style. (David L. Ulin Chicago Tribune)

Anthony Grafton has written a fascinating book about this important, though often maligned, scholarly apparatus… Historians of all stripes will profit from reading Grafton's history of historical research and writing (often called historiography) and especially from his detective work tracing history of the footnote, this vital academic detail which so many take for granted. (Bulletin of the Historical Research in Music Education)

Grafton argues convincingly that the history of the footnote is also the history of how scholars through the ages have evaluated, organized and presented information… The Footnote vividly evokes what it was like to conduct serious research in an era before Lexis-Nexis, Who's Who or even daily newspapers. (Adam Goodheart Civilization)

The Footnote tells how all those interesting tidbits migrated to the bottom of the page. (Seattle Times/Post-Intelligencer)

This is not a reference book to be consulted but an excursus to be savored, by a writer with a studied sense of style. (Cullen Murphy Slate)

Most helpful customer reviews

18 of 20 people found the following review helpful.
witty, whimsical tour of the methodsof historical learning
By Hugh Claffey
The history, use and meaning of the footnote is a rather unlikely subject for a book, however, Grafton uses it to focus on the practice of history and the flesh-and-blood jealousies, mistakes and falsehoods which lie behind even the driest of academic pursuits.
One caveat, which struck me at the start, is that surely footnotes would not have evolved solely form historical research, surely they would have surfaced in more useful contemporary documents, perhaps to do with legal or diplomatic professions.
That apart, Grafton takes the evolution of the footnote in historical scholarship as the evolution of `scientific' methodology in historical research. On the surface Grafton states that the `the text persuades, the notes prove'. Originally history was story telling by people who claimed to be present, and/or participants, in great events. As scholarship evolved, the fact that participants might have different motivations, points-of-view and/or explicit biases became increasingly apparent. "Ambassadors' reports - a great source of archival works - report on deliberations to which they did not have direct access and the intentions of monarchs who did not speak frankly". Therefore scholars began to quote their sources by use of footnotes to the main text.
Within this context, Grafton illustrates the distance some scholars will go to, in terms of selective quotation of some sources, the suppression of others and it is this which enlivens a topic which otherwise might have been deathly-dull. He acknowledges, with admiration, that some historians use footnotes to allow that there exist contrary interpretations of the thesis they are pursuing. However his work in the field allows him to allow him to add venom e.g. ` but often they (historians) quietly set the subtle, but deadly cf. (compare) in the footnote. This indicates, at least to the expert reader, both that an alternative view appears in the cited work and that it is wrong'. Grafton has worked in many European languages and this allows him to humorously include and compare the many differing ways that footnotes can convey bile - " The English do so with a characteristically sly adverbial construction `oddly overestimated'. Germans use the direct `ganz abwegig' (totally off-track); the French, a colder, but less blatant `discutable'".

The book traces the evolution of the `scientific' recording and interpretation of texts to convey historical scholarship through the work of historians of three centuries, and it is though this that Grafton exhibits great learning and humanity. The foibles, ambitions and disputes are clearly acknowledged as is their passion for their work. Grafton has clear sympathy for both. He is more grudging in acknowledging the contribution of philosophy - specially the work of Descartes and Voltaire - in the development of the uneasy concoction of art and science which is modern history.
This is a magnificent description of an exchange between Liebnitz and Bayle in the 1690's, where the latter's desire to document every mistake in historical writings available at the time, is called into question. Liebnitz instead argued that it would be more accurate and economical to pursue a project which documented the verified truth of historical research. Each project is, of course, infinite, though Liebnitz's is the more practicable.

While Grafton ranges widely though the historians of the 14th to the 19th Century
I feel that he reserves especially favour for Gibbon and von Ranke, Gibbon for his masterful confidence and literate authority - Grafton goes so far as to suggest that Gibbon reluctantly adopted the footnote, feeling that it broke the narrative flow. He favours Ranke for his zeal in perfecting the methodology of source quotation and interpretation as well as instituting the seminar for exposition and training of upcoming historians. Grafton points out, tellingly but humanely, that Ranke was not above self-delusion in his judgment of his own methodology, by showing that Ranke's own footnotes were less exact than the historian claimed.

The narrative,which can be quite detailed and wide-ranging, flows along thanks to Grafton;s style. Complex points are not simplified, but nor are the human details overlooked e.g. his laconic opinion of the medieval Letters of Aristeas is rendered as ` this fascinating book has the defect of being a forgery, but also the compensating virtues of beauty and clarity'.

8 of 8 people found the following review helpful.
Footnotes Can Be Fun!
By Lance Kirby
Anthony Grafton's short history of this often-irritating contrivance is a delightful defense of the footnotes importance. In an age that has become increasingly lazy in intellectual matters, and the call of some for the removal of all such arcana, Professor Grafton makes us deeply aware of the footnotes place in the study of history, and its continued importance as a major implement in the historian's toolbox. Taking us first to the supposed birth of the footnote with the Enlightenment and the immortal Gibbon, he moves on to Ranke and "Scientific History", then backtracks to the Middle Ages and Renaissance to reveal its true origins. Any lover of the history of the book, or history in general, cannot fail to enjoy it.

13 of 15 people found the following review helpful.
Review of Anthony Grafton's The Footnote*: a curious history
By Marc Goodwin
Although the history of the footnote may seem like a dull topic for discussion, it yields many interesting insights on how historians have practiced their trade. What makes Grafton's account so strong is not only his wit and metaphorical humor, which is often lacking from other academic historians' work, but his detailed and thorough treatment of this seemingly forgotten tool of the intellectual historian. Grafton manages to convey, through reverse chronological order, the origins of the footnote, and in the process manages to explain its use and purpose by those such as Gibbon and Ranke. Perhaps most interesting is Grafton's own use of the footnote. Thorough the mastery of four languages he establishes his authority and even manages to denigrate others with the deadly "Cf." It is not surprising that his pages suffer from the "swelling feet of claylike annotation" that Ranke so eagerly wanted to avoid. Grafton's narrative of the footnote is a useful addition to the reading of any academic historian or student of history.

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Selasa, 21 September 2010

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Hey Physics Student/Enthusiast,

This book is continuously revised and expanded based on the reviews it gets here. It is over twice as long as when it was first published, and now includes 38 additional practice problems, a link to a set of flashcards, a whole new chapter on capacitors, and links to youtube videos and other fun resources. The illustrations were also completely redone based on feedback.

It is an introduction to the basics, not intended to be the only book you'll ever need on the subject, but here to make clear the concepts it presents, the fundamentals. The material is targeted at those taking AP Physics in high school, or an introductory college course. I hope you like it!

Currently, this book covers:

Resistance, Current, and Voltage
Ohm's Law
Kirchhoff's Laws (The loop and the node laws)
Matrices
Capacitors (I got really into this chapter, when I added it it was almost as long as the book was already.)

The explanations involve things like silly yodeling stick figure mountain men, and cookies.

Sales Rank: #61331 in eBooks
Published on: 2014-01-04
Released on: 2014-01-04
Format: Kindle eBook

About the Author
Sarah Allen has a B.S. degree in physics and an M.A. in cognitive psychology, focusing on physics education and problem solving. She has over 10 years of experience teaching physics at both the high school and college levels.

Most helpful customer reviews

20 of 20 people found the following review helpful.
Wonderful Book in the Forest Mims Tradition
By Let's Compare Options Preptorial
I'm an EE and a lot of us older folks learned circuits and electronics reading and studying the awesome hand-drawn diagrams of Forest Mims. Here's an example of one of his best: The Forrest Mims Circuit Scrapbook, Vol 1. Search Forest Mims for many of his others.

I've tested nearly all of the circuits in this fine little book, and Sarah has done an outstanding job of double checking functionality, so you don't burn your workshop down. To be brutally honest, even some of Forest's had little resistor or power supply errors, so not many of these are as carefully vetted at this one. Back in the day these used to be copied from component manufacturer spec sheets, which sometimes were rushed to press, and some errors have continued for decades.

Allen is a wonderful teacher, and I've read and reviewed most all her titles, and require them for our online tutorials. Her pedagogy is to teach, give a problem you can try, then show you the solution. She is frankly a perfectionist and loves her readers, and when we pointed out a graphic on another review that was a little difficult to read on Kindle, she corrected it instantly, on ALL her ebooks!

If you're getting into Ohms law, circuit basics, etc. this is a wonderful place to start, whether for class or as a hobbyist. Sarah's value add is to give little "intuitive" examples with a wonderful array of diagrams so you "get" a concept in ways other than just the math. Her explanation of little diagrams showing position vs. momentum, for example, casually shows how this underlies all differential and integral calculus, and although fine for a High School audience, the point illustrates aspects of QED and Heisenberg uncertainty (the inability to resolve position and momentum simultaneously, or any conjugate Fourier for that matter-- time/frequency, sound, MRI images, etc.) in a way much more intuitive than taught in physics classes.

Highly recommended, for the price, I'm getting my grandkids her whole series for school! You can find them all on her author's page.

3 of 3 people found the following review helpful.
Electric Circuits (Stick Figure Physics Tutorials) [Kindle Edition] by Sarah Allen
By CDP and his Amazon Habit of purchases! !
I have a limited background in electrical work and old electronics and I am reading this Kindle book to help me in my study and review of the subject matter and it is very good in getting the information about circuits to the reader. I gave it 4 stars to start and I will return when I am through the book and can elaborate more. So far, the explanations do help me and a person reading this book will be lead through many descriptions of the circuits given and they are described and explained very well. It helps for me to have been exposed to working circuits in the past in electronics classes and some limited theory in an electronics engineering basic course or two in college, but there is still some explanation I will need on a few of the concepts of potential energy reviews as I am in need of more study here. To this old novice, the explanations don't always come off the pages as well as I would like, but I've found that is me and with some more study of it, it will eventually come. I like this book, for most of it's delivery and detail and I do recommend this Kindle book to someone who is studying topic of electrical engineering as this is a very well written book about circuits. Its descriptions of circuits and components, gives the reader a good amount of knowledge about electric circuits and it also delivers a little information concerning the generation of power and electricity. I like this book a lot and recommend it for one who is interested in circuit explanation, of which each builds knowledge you take with you to the next circuit you will study.

4 of 4 people found the following review helpful.
Refresher
By John B
was a good refresher on the electrical equations and mathematics behind ohms law just an all around refresher course, would recommend it...

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Kamis, 16 September 2010

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Gary Cross tackles one of the great conundrums of modern society: why, despite quantum leaps in technology and production methods, do we never have either enough money, or enough time? He argues that in the 1920s and 30s, advanced Western societies opted for consumerism (rather than more leisure, and a different approach to culture), creating insatiable needs which oblige us to work more than industrialism requires. In this wide-ranging analysis, he explains how consumerism prevailed over alternative uses of economic growth. Encompassing both the American and European experience, this book reveals a history neglected by both optimists and pessimists of popular culture. By linking mass consumption to changing meanings of free time, Gary Cross offers a fresh context for understanding the dilemmas of modern consumerism.

Sales Rank: #12943597 in Books
Published on: 1993-05-06
Original language: English
Number of items: 1
Binding: Hardcover
256 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Dont waste your time.
By Neverknow
Positively awful. Interesting premise but cannot stand the authors prose which he over complicates and spends more time informing you what he wont be telling you rather than what he will be telling. Can not stand the writing style or the fact that the author never actually accomplishes making a point. The book is sloppily organized as well. Really expected more.

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Sales Rank: #198789 in eBooks
Published on: 2014-12-01
Released on: 2014-12-01
Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
great books
By satisfied customer
these are great romances that have a way of making you relax and be happy when you enter a different world and being bundled you save some money and being digital your delivery is super fast and yes I will buy more next month

thank you

0 of 0 people found the following review helpful.
Good Escape Read
By Kat Chat
Very Sweet Book. Delivers with a fairly good storyline.

0 of 0 people found the following review helpful.
Five Stars
By Marilyn Baker
Like this author

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(Berklee Press). When you think of jazz composers, who comes to mind? Jelly Roll Morton, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Charles Mingus, Bob Brookmeyer. This book is about what they (and many others) do. Jazz composition has evolved into a disciplined art that often evidences great emotional depth and breadth of sophistication. Berklee College of Music legend Ted Pease demystifies the processes involved in writing jazz tunes and in composing episodic and extended jazz works. Jazz Composition: Theory and Practice is a by-product of Pease's 25 years of teaching jazz composition. The accompanying audio files help demonstrate melody, harmony and rhythmic elements of jazz and also includes a variety of music-writing exercises focused on learning these same elements to help you begin producing your own effective jazz compositions.

Sales Rank: #77659 in Books
Brand: Berklee Press
Model: 50448000
Published on: 2003-08-01
Released on: 2003-08-01
Original language: English
Number of items: 1
Dimensions: 12.00" h x .62" w x 9.00" l, 1.90 pounds
Binding: Paperback
256 pages

Features

256 pagesSize: 12" x 9"Composer: Ted PeaseISBN: 876390017

Most helpful customer reviews

17 of 17 people found the following review helpful.
Jazz Composition At Your Fingertips
By BountyHunter
This is a great book for those who know a respectable amount of jazz theory and want to understand the practice and art of jazz composition. Throughout the book, you are given exercises and opportunities to write your own pieces and comes with a CD. Although this book teaches you modal harmony, chromatic harmony, blues writing, ect., there is no substitute for a jazz composition professional teacher who would be valuable to check your work and offer criticism and suggestions.

Writing pieces on your own is basically made easier in terms of form and structure.

11 of 12 people found the following review helpful.
jazz Composition: Theory and Practice, Ted Pease
By Composer56
I always found it hard putting the music from my soul on paper. I have been checking all about music composition on the internet but what I found were just the obvious guidelines and warnings about what not to do. Recently I have discovered the jazz composition book by Ted Pearse, I ordered it through Amazon. What a suprise, the book was just what I have been looking for, being a self taught musician and a saxophonist, I read through the book but one thing for sure I could not put it down because of the wonderful information contained therein, instantly I felt like Ted was just answering all my questions about creative composition using all and beyond what i new about jazz performance and improvisation. Immediately, I felt the urge to start composing there and then because each lesson has a music manuscript for the learner to write on some composition ideas inspired by the lessons. Now I am confident that the bright journey to music composition starts with this book, it gives you everything you need about understanding and starting to be a composer. I have started falling in love with this book and I don't regret having not gone to Berklee to learn jazz composition and improvisation, this book is a treasure Ireland and I'm glad I grabbed myself a copy for an amazing price that is affordable...this is my ticket to a composers world...Hmm!

8 of 9 people found the following review helpful.
Amazing book... Good explanations !!!
By Gideon Leong
I highly recommend this book for jazz analysis and composition, with the condition of understanding your chord/scale theory. It has sectional explanations which comes with exercises.

The book is divided into major chapters like Melodic Considerations, Harmonic Considerations, Blues and Song Form, Arranging and Formatting Considerations, Metric Considerations, Fusion, Episodic Form, Extended Works...

My favorite major chapter is MELODIC CONSIDERATIONS ( Melodic Rhythm, Interval Patterns, Melodic Variation via Modal Interchange, Melodies Based on Intervallic Patterns, etc etc etc)

This book has detailed a lot of new concepts to me. However, I do not recommend this book for total beginners in Jazz.

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The Vascular and Endovascular Medicine Study Guide is a 10-year compilation of examination questions and content from Vascular InterVentional Advances (VIVA) and other expert contributors. Since its first symposium in 2003, VIVA has provided state-of-the-art education for physicians with an interest and commitment to vascular and endovascular medicine. VIVA?s unique Laptop Learning ? system has allowed participants to engage in pre- and post-testing to determine their level of knowledge and gauge their improvement over the week of VIVA?s annual conference. We have pooled these questions and added many more, as well as provided explanations of correct and incorrect answers to create a true study guide. This is designed not only for those physicians interested in sitting for the American Board of Vascular Medicine General and Endovascular board certification examinations, but also as a guide for any physicians who care for patients with vascular disease. Features: 1. Five comprehensive practice exams, each containing approximately 50 multiple choice questions 2. Complete answer explanations for further understanding of each question 3. Full color images of scans, tests, and patient conditions 4. Ideal review for the American Board of Vascular Medicine examinations

Sales Rank: #569643 in Books
Published on: 2012-09-11
Original language: English
Number of items: 1
Dimensions: 11.00" h x .49" w x 8.50" l,
Binding: Paperback
206 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book. Clear questions and very good explanations with ...
By Oscar
Great book. Clear questions and very good explanations with reference citation. I used it before a vascular fellowship in US.

0 of 0 people found the following review helpful.
Five Stars
By rxk200
Only book available for ABVM preparation.

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